Template Specific Features 
Vertex Template Features 
S5 Vertex Framework 
Continued Vertex Features 
Drop Down Menu 
Menu Module Example 
Grouped Child Menu 
Sheep Swirl - How it was created
Monte Fitz Roy - transforming a basic capture
What are the best cameras for Landscapes?
Raw processing essentials explained
Patagonia, South America [Location Notes]
Markets for landscape photography
Critique sessions - reader photos reviewed
Tatev Monastery - creativity with cloudy skies
Mount Nemrut - stitched with 50-odd layers!
What are the best lenses for landscapes?
Dodging & burning with soft light blending mode
Turkey [Location Notes]
How to price your landscape photography
Critique session - feedback for real photos
Atacama Volcanoes - Long exposures
Cape Palliser - Another stitch for the angle!
Apertures - which are best for landscapes?
3D LUT Creator - Complete colour control
South West USA [Location Notes]
Creating landscape prints for sale
Another helpful critique session
Remote Lake Oberon and the ethics of squishing
Colour changes with Cappella di Vitaleta, Italy
Tripods - camera support for maximum clarity
Essential luminosity masking techniques - 2 ways
Italy [Location Notes]
Is a landscape photography book possible?
Critique session - more reader photos reviewed
The making of Elephant Island (steps involved)
Fugel Fjord - adding clouds and using contrast
Sensible approaches for camera bags
Understanding colour balance / Using Lightroom Spain [Location Notes]
Distribution - the tough side of book publishing
Another popular critique session
Photographing the Pilbara Storm
Tone's Tree double exposure at Middlehurst
Helpful accessories for landscape photographers
Local contrast / Introduction to Capture One
Pilbara Western Australia [Location Notes]
Photo presentation and why it's important
Another helpful critique session
Adding colour to Raudfjordan Glacier
Remote Steeple Jason panorama description
Making the most of colour temperature settings
Vignetting - it's great if done properly!
Easter Island [Location Notes]
Setting up a photo website
Reader photos critique session
Creating the red Nevis Valley tree
Landscape can include architecture too!
Correct exposure for landscapes
Have you tried Lab Color mode? Is it for you?
Niseko Japan [Location Notes]
Setting up an exhibition of your photos
Our popular photo critique sessions continue
Adjusting colour in the Grand Canyon
After sunset at Zabriskie Point
Light: How to use it for landscape photography
Affinity Photo - an alternative to Photoshop
Egypt [Location Notes]
Shooting landscapes for books (and magazines)
Our popular photo critique sessions continue
How to photograph Iceland's Budir Church
Originally produced with Lobster - Oxer Lookout
How to stitch panoramas
PtGUI - the best panorama stitcher?
Hamilton Island, Queensland [Location Notes]
How limited edition prints work?
More great photo critique suggestions
Colour to toned monochrome in Segovia
Mosaic aerials in Wyndham, Australia
Archival landscape prints - make them last
Understanding channels for hue and saturation
Queenstown, New Zealand [Location Notes]
Computer power (not such an issue any more)
Critique session with viewer photos
Camel Rock - building exposures over time
Shooting above the Great Barrier Reef
How to shoot aerials (without a drone)
How to make selections for composites
Ani, Eastern Turkey [Location Notes]
The landscape photographer's paperwork
Critique session with viewer photos
Jokulsarlon - looking like there's not editing
Adjusting exposure for drama in the Macdonnells
Composition - we begin to think about framing
Sharpening - is there just one way to do it?
Papua New Guinea [Location Notes]
Choosing print sizes and surfaces
Another great critique session
Channel masks for a Karijini Tree
St Gregory - exposure, contrast and saturation
Composition for landscapes - part 2
Simple B&W conversions for better detail
Karijini, Western Australia [Location Notes]
Shooting landscapes that sell
Reader photos for our critique session
Composites at night with a Boab tree
Close up landscapes in Weano Gorge
More great composition skills - part 3
Focus stacking with Helicon Focus
Expedition cruising for photos [Location Notes]
Getting photos published with words
Critique session - a favourite in each class!
Creating Quoin Bay squarial aerial!
The Clinging Tree - tonal mapping
Horizon placement for landscapes
Dropping in skies - the old and new easy ways!
Reaching your destination [Location Notes]
Do you need a landscape business plan?
More great example photos critiqued!
Mestia - a snowy urban landscape
Ishak Pasha Palace - waiting for the light
Landscape centre of interest and balance
B&W Conversions with IMPACT
Scotland and the Isle of Skye [Location Notes]
Photoshop, Lightroom or Capture One?
Critique Session - feedback for landscape photos
Behind the waterfall in Iceland
Making the light happen in post-production
The final chapter on composition
Using the High Pass filter for punch
Travelling to Antarctica [Location Notes]
Where to now? Taking your work further
Our final critique session of reader photos
Great landscape photographs rely on good technique, so these special extra MasterClasses cover some of the essential skills you'll need. Whether new knowledge or revision, this is the type of information all landscape photographers need to know.
The most important concept to understand in post-production are LAYERS. These sessions will be revision for some, but eye opening for others.
